Your pads, piano, arps, and vocals might sound great in isolation, but somehow they don’t gel together. One issue you might run into when writing tracks is that the elements feel disjointed. A dry drum loop with no processing Drums with the room reverb trick 3. Finally, low-cut everything below roughly 200Hz and blend to taste with the dry signal. This is why vocal recordings will take place in dedicated vocal booths or with isolation shields:Īt this stage, you can add your favorite stereo shaper plugin to add some width to the reverb. Processing vocals is possibly the most common use of reverb.Īs mentioned previously, natural reverberation is present in any room you record in. Now that the basics are covered, let’s get into different ways you can use reverb creatively: 1. When processing through a send channel (more on that later), you should always set your Mix to 100%. 275ms delay Mix (Dry / Wet)įinally, as with most plugins, a Mix or Dry / Wet knob allows controlling the amount of effect applied.Ġ% will leave your signal dry of any reverb, while 100% will only leave the effect and remove the dry signal. Delay introduces some separation between the source and the effect: No delay vs. However, keeping the long decay time but increasing the size gives a more natural sound: DelayĪlso called “Pre-delay”, this setting introduces a short pause between the initial sound and the reverb. You can hear an unnatural and unpleasant ringing. In the following example, I’ve used a 5s Decay time (which is very long), but a very small Size: If you are going for a natural-sounding reverb, avoid increasing the Decay too much while keeping the Size low. For example, the bigger the space, the longer the decay will be. In the real world, Decay and Room Size usually go hand in hand and are adjusted in tandem.
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